The Webster Chronicle Daniel Akst Hardcover $24.95 Read more...

INTRODUCTION

Terry Mathers feels like a failure. His small-town weekly, The Webster Chronicle, is facing bankruptcy; he has separated from his wife; and his journalist father, Maury, is both the king of prime time and a magnet for younger women. Now in midlife, Terry's fed up with being disappointed—and disappointing.

But then Webster is shocked by an accusation of child abuse at the local, and highly esteemed, preschool. As the community grapples with rapidly escalating allegations, Terry seizes his chance to scoop the national media. His articles fan the flames of the growing crisis, and as the major news organizations descend, he struggles to maintain his professional judgment and ethics.

The Washington Post called Daniel Akst's first novel, St. Burl's Obituary, an "ingenious and thought-provoking . . . map of the contemporary world." With The Webster Chronicle, Akst gives readers another sharp and perceptive look at modern America, using as his backdrop a dark period in our country's early history. He deftly describes a community helpless in the face of mass hysteria and mass media, and guided by hapless, awkward Terry Mathers, who believes he's on a mission to save the children until he realizes, too late, that he's really only trying to save himself.

ABOUT DANIEL AKST

A native New Yorker, Daniel Akst is a well-known journalist who has worked at the Los Angeles Times and Wall Street Journal and now writes a monthly column in the Sunday New York Times. He also writes regularly for the Wall Street Journal culture pages, and has appeared in many other publications, including American Heritage, the Boston Globe, the Christian Science Monitor, Civilization, Technology Review, the Washington Monthly, and on both public radio and television. His first book, Wonder Boy (Scribners), chronicled the eye-popping ZZZZ Best fraud perpetrated by teenage entrepreneur Barry Minkow, and was named one of the 10 best of 1990 by Business Week. He is also the author of The Webster Chronicle published by BlueHen in October 2001.

Akst is a graduate of the University of Pennsylvania who spent 13 years in Los Angeles before moving to the Hudson Valley, where he lives with his wife and two sons.

Praise

Praise for Daniel Akst's St. Burl's Obituary

"An outrageous, superb novel..."—The Philadelphia Inquirer

"St. Burl's Obituary is a map of the contemporary world...ingenious and thought-provoking. Akst tells his tale in no-nonsense, journalistic prose that keeps the story moving at a swift clip."—The Washington Post Book World

"A remarkable novel."—The Los Angeles Times

"Akst handles the labyrinthian plot twists deftly, employing a style that is at once literate and funny..."—Publishers Weekly (starred review)

"Akst's prose keeps its savor to the very end. It's witty, exact and lyrical stuff, and it virtually ensures that by the time you're done, you'll be hungry...for seconds."—Newsday

DISCUSSION QUESTIONS

1. In The Webster Chronicle, it is unclear whether Belinda Jackson is telling the whole truth about the reason for her daughter's death in the car wreck. Is her daughter's confession of child abuse the real reason for Belinda's crash, or was she just another drunk driver who killed an innocent person?
   

2. Since the first allegations of child abuse at Alphabet Soup came from Belinda Jackson and Lucille Lyttle, the first of which killed her daughter while driving drunk, and the second of which is an alcoholic who is loyal to Belinda, what are your first reactions to these allegations? Especially considering the conflicting evidence which might support allegations of child abuse: that Frank and Emily Joseph lost a child once, that Emily was sexually abused by her uncle when she was little, and that Frank is capable of spanking a child?
   

3. Terry Mathers's journalistic alter ego, Tartaglia, plays devil's advocate to Terry's other work in the Chronicle. Like Terry, how does Akst's story constantly cause the reader to play devil's advocate and to vacillate back and forth in opinion as well?
   

4. Aside from the affair between Abigail and Charles Krieger, how else is Terry's livelihood directly connected to Krieger's? How does Krieger's contribute to the growing hysteria of "disclosures"?
   

5. Does the fact that Frank has an affair with Annette lessen his credibility as an innocent and honest man? What about the situation with Anja? In second-person narration, we find out from Frank that "nothing happened" at Alphabet Soup. Does this declaration close the door on the possibility that Frank is a child molester?
   

6. The Webster Chronicle explores the ways in which a child's sense of reality is largely created by his or her parents. But how does The Chronicle also contribute to the eventual hysteria that takes place in Webster?
   

7. Each of the illicit sexual affairs in The Webster Chronicle complicates the situation at Alphabet Soup in some way. Using Julie/Chris, Abigail/Charles, and Terry/Diana, explain.
   

8. In many ways, Akst instills in the reader the same skepticism, gullibility, and shifts in perception that occur within the characters in the novel. For example, Detective Jepson and Julie seem in the beginning of the investigations to be a virtuous family man and a closet Satan-worshipper, respectively, but by the end of the novel, their images change. Julie becomes an innocent victim of the fever of "disclosures" about child abuse, while Jepson morphs into a sort of McCarthy figure, driving giddily around town, pointing at potential child abusers and also being accused of assault himself by Diana. What do you think Akst might be saying about how we can influence our own perception? If children get their sense of reality from their parents, where do adults get their reality from? In other words, what informs the "truth", the search for which is at the center of the novel?
   

9. Do you think Terry's devotion to rectifying the damage his articles caused is sufficient penance, considering the terrible things that befall Jesus, Albertson, Pearl, and the other innocent Alphabet Soup employees? Can he now consider himself "successful", just as he once considered his father? How does Terry's view of success change by the end of the novel?