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When sixteen-year-old Hope and the aunt who has raised her move from Brooklyn to Mulhoney, Wisconsin, to work as waitress and cook in the Welcome Stairways diner, they become involved with the diner owner's political campaign to oust the town's corrupt mayor. Ivy doesn't want to be a lawyer. Who cares?-well, her father, for starters, who expects his daughter to take up the Breedlove family profession with dedication and enthusiasm. What Ivy wants to be is a historian, a vocation that's getting quite a workout as she prepares a family history in honor of her beloved great-aunt Tib's eightieth birthday. As in Bauer's Rules of the Road, the central story is of a journey: Ivy hikes into the wilds of the Adirondacks to find her reclusive aunt Jo-and to find her own destiny as well. Persistent, mouthy, and good, Ivy is an admirable heroine who will be familiar to Bauer fans; older female friends (including Tib, Aunt Jo, and wilderness expert Mountain Mama) are equally attractive if given to message-laden dialogue. In fact, the book could have used less preaching and more story overall, but Ivy is such a darned fine gal that readers will be glad to make her acquaintance. Meet Jenna Boller, star employee at Gladstone Shoe Store in Chicago. Standing a gawky 5'11'' at 16 years old, Jenna is the kind of girl most likely to stand out in the crowd for all the wrong reasons. But that doesn't stop Madeline Gladstone, the president of Gladstone's Shoes 176 outlets in 37 states, from hiring Jenna to drive her cross country in a last ditch effort to stop Elden Gladstone from taking over his mother's company and turning a quality business into a shop-and-schlock empire. Now Jenna Boller shoe salesperson is about to become a shoe-store spy as she joins her crusty old employer for an eye-opening adventure that will teach them both the rules of the road and the rules of life.
Joan lives in Darien, CT with her husband and daughter.
Praise "Ivy Breedlove is another strong and quirky heroine who addresses serious issues head on."The New York Times Book Review
If you enjoyed the works of Joan Bauer, we have some other titles to suggest. In some cases, the recommended books contain good humor, sometimes the related books feature young men facing obstacles in their lives. Finally, some of these books feature heroic females as main characters. Books to Make You Laugh: KEEPING THE MOON by Sarah Dessen OVER THE WALL by John H. Ritter THE OTHER ONES by Jean Thesman Internet Sites of Interest: Joan Bauer website The official website of the author. http://borg.lib.vt.edu/ejournals/ALAN/winter96/bauer.htm Here is an article written by Joan Bauer on writing books with humor entitled "Humor, Seriously." www.nysl.nysed.gov This will link you to the New York State Library, where you can discover lots of interesting information about the Adirondack Mountains, site of much of the novel, Backwater. www.wistravel.com Lots of details about Wisconsin, the setting of Hope Was Here.
Why is humor so vital to your writing? Because humor is so vital in my life. When I utilize humor in my writing, I'm connecting to a deep place in myself that says, "no matter how bad things get, there is hope." I believe that with all of my heart. That's what I love about humorat least the kind that makes us look at life's difficulties differentlylaughing in the midst of pain says to me that we are already on the road moving away from it. We're going to make it. I'd like to think that readers connect to that sentiment, too. We need to laugh for so many reasons. It brings perspective; it brings healing; it builds relationships; it brings release. People have asked me if I would ever write a "totally serious book." I have to say that I do write totally serious books that use laughter against the storm of life. It's brutal sometimes. I agonize over words, motives. I do not want anyone to think I am making fun of alcoholism, Alzheimer's disease, death, divorce, being overweight. But here's the thing: my first drafts are rarely funny and I am grimly sober while writing them. But I am getting down to the serious underpinnings of the story. Then I do look and see where the funny voice can break through. I see where comic relief can cushion a hard scene. I ask myself constantly, where can the humor break forth here and make a point? I'm hopeful like she is, and I've had to fight to stay that way. It isn't my natural state. I work at hopefulness. I don't expect life to be easy. Like her, I am an over-comer. I had a deep need as a teen to have a healthy fathermine was an alcoholic. I was a waitress as a teen and a good one. I love food; it is a passion for me. I have also had to work on my anger over the years. Hope and I are very alike. I try to clear my mind for the work ahead. I try to remember what Ernest Hemingway said about writing: Stop for the day when you've written something you feel good about. That makes it easier to get back to it the next morning. I don't wait for inspiration; I just go to work. More and more I read things out loud to check for authenticity of voice. I did that a great deal for Hope was Here. One of the big words in my life is "revision." It's kind of like labor and delivery. The baby is coming out and you don't have a lot to say about it.
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