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Miracle's Boys is the story of three brothers, Ty'ree, Charlie, and Lafayette and their struggle to stay together as a family after the death of their mother. The family struggles actually began years ago when the boys' father died after saving a jogger and her dog from drowning. Milagro, (miracle, in Spanish) was left to raise three boys on her own. There was little money but Milagro was able to pass on her strong values and love of learning to her boys. Ty'ree in particular is gifted in math and science and attends and excels at a special high school outside of their neighborhood. Things begin to unravel though when middle brother Charlie, at age twelve, is sent to a juvenile detention center for his part in an armed robbery. Two months later Milagro dies suddenly and the boys face separation. Their aunt offers to take them in but oldest brother Ty'ree gives up his scholaship to MIT and assumes the role of parent and guardian. It is a difficult job that gets harder when Charlie is released and returns home angry, mean, and disruptive to the household. Lafayette, the narrator of the story, has a difficult time coping with the person his brother has become, naming him "Newcharlie" to describe his new personality. Lafayette knows it is just a matter of time before Charlie gets into trouble again and destroys their fragile family. When he does, Ty'ree continues to support him despite his own anger and frustration. Finally, Lafayette is reminded, by the spirit of his mother, of a promise he made concerning Charlie and he tries, again to reach out to his brother. This time, Charlie responds embracing, rather than rejecting his brother. This is an eloquent story of the power of love to sustain a family, against tough odds. Despite her death, Milagro is a powerful presence in the lives of her sons and it is her spirit that keeps the boys together and helps them resist the destructive lures of the streets. Hush Toswiah and her sister Cameron have a good life with their parents in their home in Colorado. Their mother is a teacher who loves her job and their father is a decorated and popular member of the police force, despite his being one of only a few African Americans. When her father witnesses the shooting of an innocent African American teen by two of his fellow officers, he is unable to keep silent. His testimony brings racial tension and death threats and the family finds it must leave Colorado, assuming new names and identities. Toswiah and Cameron become Evie and Anna Thomas. The girls are devastated to leave their friends and their beloved grandmother behind. Evie is even more alarmed at the impact the changes have on her parents. Her strong father sinks into mental illness and her mother, unable to teach until she can get new credentials, takes refuge in a new religion. Anna devises a plan to go to a college that will admit her at age sixteen and spends all of her time studying. Anna's anger at her parents nearly consumes her. Evie is at a loss until she secretly joins the track team. Once she begins to run, she feels some of the freedom she left behind in Denver. When her mother gets a teaching job and her sister is admitted early to college, Evie fears she will never get back to the life she misses. Finally, it is her father's suicide attempt that forces the rest of the family to confront just how much leaving their old life has damaged the family. After a time in the hospital, her father returns to the family, at last able to talk openly about his own pain. For the first time in many months, Evie and her father are able to have a real conversation. This is a compelling narrative about a family that is put to the test. Each member must find its own way of coping with the stresses. The first person narrative allows the reader to clearly hear Evie's voice and share her reactions to the changes going on around her.
Related Titles Dancer
Lives of Our Own
Money Hungry
Monster
145th Street
Othello: A Novel
Tears of a Tiger
Zack Other books by Jacqueline Woodson
Last Summer with Maizon
Between Madison and Palmetto
Maizon at Blue Hill
AN INTERVIEW WITH JACQUELINE WOODSON Why do you write for young adults? I think it's an important age. My young adult years had the biggest impact on me of any period in my life and I remember so much about them. When I need to access the physical memories and/or emotional memories of that period in my life, it isn't such a struggle. And kids are great. The issue of identity is central to the three books under discussion, yet each seems to approach this topic differently. Was this a deliberate choice on your part? What does each of these stories say about the teen characters and their struggles to define themselves? Identity has always been an important and very relevant issue for me. For a lot of reasons, I've been 'assigned' many identities. From a very young age, I was being told what I wasblack, female, slow, fast, a tomboy, stubbornthe list goes on and on. And this happens with many children as they are trying to become. So that by the time we're young adults, no wonder we're a mess!! There are so many ways we come to being who we are, so many ways in which we search for our true selves, so many varying circumstances around that search. No two people are alike but every young person is looking for definition. My journey as a writer has been to explore the many ways one gets to be who they are or who they are becoming. What drew you to the telling of the interracial love story in If You Come Softly? What aspects of this relationship did you want to illuminate for young readers? A story comes to me from so many angles. When I first started writing If You Come Softly, I thought I was writing a modern Romeo and Juliet. I kept asking myself "What would be different if Romeo and Juliet was being written today?" But when I was younger, I was also deeply affected by the death of Edmund Perryan African-American boy who was attending prep school and while home on break, was shot by cops. After the death of Perry, I took notice everytime a young black man was shot by copswhich is too oftenand later found innocent. I also knew as I was writing this book that I wanted to say "Love who you want. Life is too short to do otherwise." All of this and I'm sure a lot more was there at my desk with me as I sat down each day to work on this book. Is there something special about sibling relationships that you drew on to write Miracle's Boys? Mostly I tried to create boys who were real. I used a bit from my own childhood and I guess I drew on the love I feel for my two brothersone who is older and one who is younger. My older brother is kind of like Ty'ree and my younger one is a bit like both Charlie and Lafayette. I think there is a lot of me in Charlie too. What do you do differently, if anything, when you tell a story from a male perspective? When I'm writing from a male perspective, I try to imagine myself as a boy and I really try to remember as much as I can about the guys I knew and know. It's very different than creating girl characters but I love the challenge of it. Where did you get the idea for Hush? Some years ago I read an article in the New York Times Magazine that started the seed for Hush. I did a good bit of research and just thought about the story for a long time before I started writing it. I kept asking "Who would I be if this happened to me? What would I have left?" It was devastating to think about but at the same time, it really made me grateful for all that I do haveall the people in my life who have been with me since childhood, my family, my pets, everything. Although these are very different stories, they each reflect what can happen to African Americans when they are impacted by the criminal justice system. What do you want your readers to understand about this? I don't really know what I want readers to understand. I know what it helps me to understandthat the criminal justice system has historically not worked for African-Americans, that the percentage of people of color as compared to whites in jail, killed by cops, racially profiled and constantly singled out is unbalanced. I want the system to be different and the only way that it can change is if the way our society looks at race changes. And the only way that can happen is if people really start paying attention and making a decision to create change.
If You Come Softly
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