Newsweek
"Reader-friendly at every turn, with generous footnotes, character lists, and illustrations that show what robes looked like, or swords, or houses. You have to reach for Tolstoy or Proust to convey just what a captivating experience this story can be."

Publishers Weekly
Widely recognized as the world's first novel, as well as one of its best, the 11th-century tale of Genji the shining prince has been painstakingly and tenderly translated by Tyler, a retired professor of Japanese language and literature. Genji, the son of an emperor by one of his "Intimates" and preternaturally blessed with beauty and charm, is the center of this two-volume opus though he and his heroine die some two-thirds into the book which details both his political fortunes and his many amorous adventures. Chronicling some 75 years of court life with a dizzyingly large cast of characters, it is an epic narrative; it is also minutely attentive to particulars of character, setting, emotion even costume. While two complete English translations exist (Arthur Waley's of 1933 and Edward Seidensticker's of 1976), Tyler clearly intends his to be the definitive one. It is richer, fuller and more complicated than the others indeed, Tyler's fidelity to the bygone Japanese custom of not writing proper names can sometimes make it difficult, for example, to determine which of Genji's myriad lovers he is thinking about. Unlike Waley's translation, Tyler's is unexpurgated; unlike Seidensticker's, his is heavily annotated. New line drawings of Japanese architecture and activity complement the text, while character lists at chapter beginnings, a plot summary at the conclusion and two glossaries one of offices and titles, the other of general terms orient the reader in a multigenerational and unfamiliar world. Tyler's formality of tone (contrast Seidensticker's anachronistic "He could see her point" to Tyler's simple "He sympathized") offers readers a more graceful, convincing rendering of this 1,000-year-old masterpiece. Scholars and novices alike should be pleased.
Copyright 2001 Cahners Business Information, Inc.

Library Journal
Written in the 11th century, Lady Murasaki's account of court life in Heian Japan stands as one of the undisputed monuments of world literature and one of the first novels in the modern sense of the term. Stretching over several generations, it focuses on the Shining Prince, his defendants, and their shifting fortunes. Much of the substance of the novel resides in the layers and subtle nuances of etiquette, gesture, and ritual. There are two previous English translations available in both full and abridged forms, Arthur Waley's (1933) and Edward Seidensticker's (1976). Waley's efforts are groundbreaking, though they distort the work's form and make Genji into an Edwardian gentleman. Seidensticker's translation is solid, though it often simplifies the syntax. Tyler, who taught Japanese language and literature for many years at the Australian National University, offers a version that effectively captures the indirection and shades of Murasaki's court language. Tyler also includes a series of appendixes, explaining clothing, colors, and poetic allusions, as well as a general glossary. A major contribution to our understanding of world literature; highly recommended. T.L. Cooksey, Armstrong Atlantic State Univ., Savannah, GA

Starred Kirkus Review
"An elegant new transaltion... The pseudonymous "Lady Murasaki's precise characterizations (particularly of Genji, marvelous mixture of sexual egoism and genuine innate nobility) are merely the crowning features of an astonishingly rich, absorbing drama that has stood, and will doubtless continue to stand, the severest tests of time and changing literary fashions. There is nothing else on earth quite like The Tale of Genji. Utterly irresistible."

The New Yorker
"Royall Tyler's limpid new english translation [is] the first in twenty-five years of Murasaki Shikibu's eleventh century work. Tyler's delicate ear for the language of the original helps breathe new life into the story of Genji... Murasaki's work, which some consider the world's first novel, provides an incomparable glimpse into the political, aesthetic, and erotic aspects of the Heian Court."