(View entire post here)

There were only about two months between the end of The Jane Austen Book Club's run in movie theatres and the beginning of Masterpiece Theatre's months-long Austen extravaganza. Four new films! One new biopic! Two rebroadcasts! Those of us who have to manage a serious Austen habit thought we'd died and gone to Janeite heaven.

Then, on April 6, 2008, it all ended. The end credits rolled on the last installment of Sense and Sensibility, and we were left to fend for ourselves.

The message boards and blogs swelled with the lamentations of Austen fans everywhere. What would we do? Where would we turn?

Of course we had Austen's six novels to re-read, and we would never tire of doing so. And we would continue to play our Austen DVDs till they skipped or our players wore out.

But, like any addict, there's no such thing as enough. We want more. More, I tell you. More.

So, if anyone out there in the world of film and television is listening, please take note: There can never be too many adaptations of Pride and Prejudice. Or Emma. Or Sense and Sensibility. Or Northanger Abbey. Or Persuasion. Or Mansfield Park.

Don't think for a second that it's been done before, or "Who needs another Pride and Prejudice." We do. Just look at what Gurinder Chadha did with her Bollywood-meets-Hollywood tribute to Pride and Prejudice, the delightful Bride and Prejudice, which is one of my absolute favorites. In fact, I'd like to see Gurinder Chadha take on the rest of the Austen canon. So think musical. Think multicultural. Think modern retelling. (Remember Clueless? Someone please do that with Northanger Abbey, which is Austen's ultimate coming-of-age story.)

Here's my latest and fondest idea for the next Austen adaptation: a contemporary, African-American version of Pride and Prejudice starring Chiwetel Ejiofor, who is one of my favorite actors of all time. I got this idea when I saw him in Talk To Me, which I loved so much I watched it twice in the same week. All I could think of was that his character reminded me of Mr. Darcy, and how perfect this actor would be as the quintessential Austen hero.

Not that we don't want more costume productions set in Regency England. We can never get enough of bonnets and balls and carriages. Just make them all miniseries, okay? We'll even settle for two hours. But no more of those ninety-minute teases that then get snipped even more for the American broadcasts (I'm talking about the latest versions of Mansfield Park, Northanger Abbey, and Persuasion). Surely you cannot think that the audience who can quote at will from the Colin Firth, five-hour Pride and Prejudice has a short attention span.

Now that we've established More, let's talk about Better.

Granted, we Austen addicts are so grateful that anyone attempts to adapt our favorite author to the screen that we'll watch whatever you put before us. Then, inevitably, we'll complain about the deletion of a key scene from the book or the actor's anachronistic hairstyle or the mysterious altering of the master's dialogue. But we'll still buy those movie tickets and turn on our TVs. And you know what? We'd buy even more tickets and acquire more DVDs and spread more word-of-mouth if you set your standards higher.

Which is why you should have one of us* on board for your next production. After all, don't you want to make those who know the books well and have an extensive knowledge of the period as happy as you make those who don't?

Not that there's any way to please everyone, and granted, we Janeites can be a picky bunch. Nevertheless, we could have told you that when you changed the pivotal "letter scene" in the latest Persuasion to a long-distance marathon, millions of Janeites would collectively groan, look to the heavens, and ask "Why?" I liked the film in spite of it, but I could have liked it a whole lot better.

We don't really expect you to have one of us on the set, but it sure would be nice. (And I mean that in the Henry Tilney way.*) In the meantime, keep rolling out those films and minis. Soon. Please?

*We can easily be found in the membership rolls of the Jane Austen Society of North America (JASNA) or in the Jane Austen Society (JAS) of the UK). Operators are standing by.

**See Northanger Abbey, Volume I, Chapter XIV.

Visit Laurie Viera Rigler's website here.

View more information on Confessions of a Jane Austen Addict

Laurie Viera Rigler, Confessions of a Jane Austen Addict, Jane Austen, 19th century, heroine, time travel, England, seduction, Penguin Books, books