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I arrived in the Middle East in January, 2003 to begin the reporting that would become the basis for Generation Kill. Six months earlier I had spent time traveling around Afghanistan with US Army infantry units, a Canadian armored battalion and a Special Forces team for stories that ran in Rolling Stone. Afghanistan reached 140 degrees Fahrenheit. It was dusty, and frequently I slept outdoors or inside an armored vehicle. When I was in the field I carried a pocketful of spiral notebooks which I filled with contemporaneous observations. But every few days I was able to return to an Army tent and work on my stories in relative calm. I had brought with me an old Apple MacBook computer. It was a bright orange, clamshell design sold in the late 90s. Somehow, the machine functioned in a far harsher environment than it was designed for. The tent I worked in did not have air-conditioning (as some US military field tents have) and dust storms would occasionally blow through, reducing visibility inside to just a few feet. But at least the tent had a power outlet for my computer, and I was able to bang out a couple of 6,000 word features for my editor in New York (emailed over a tenuous Internet connection the military made available to journalists).





















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