Praised as “singular” (The Philadelphia Inquirer) and “extraordinary” (The New York Times Book Review), GraceLand stunned critics and instantly established Chris Abani as an exciting new voice in fiction. In his second novel, set against the uncompromising landscape of East L.A., Abani follows a struggling artist named Black, whose life and friendships reveal a world far removed from the mainstream. Through Black’s journey of self- discovery, Abani raises essential questions about poverty, religion, and ethnicity in America today. The Virgin of Flames, a marvelous and gritty novel filled with indelible images and unforgettable characters, confirms Chris Abani as an immensely talented writer.

Abani [is] a fluid, closely observant writer. (The Washington Post)

Abani’s intensely visual style—and his sense of humor—convert the stuff of hopelessness into the stuff of hope. (San Francisco Chronicle)

GraceLand amply demonstrates that Abani has the energy, ambition and compassion to create a novel that delineates and illuminates a complicated, dynamic, deeply fractured society. (Los Angeles Times)

Abani . . . has written an exhilarating novel, all the more astonishing for its hard-won grace and, yes, redemption. (The Village Voice)

In depicting how deeply external politics can affect internal thinking, GraceLand announces itself as a worthy heir to Chinua Achebe’s Things Fall Apart. Like that classic of Nigerian literature, it gives a multifaceted, human face to a culture struggling to find its own identity while living with somebody else’s. (Minneapolis Star-Tribune)

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