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Grass For His Pillow

Tales of Otori, Book Two

Tales of the Otori

Lian Hearn - Author

Paperback | $15.00 | add to cart | view cart
ISBN 9781594480034 | 368 pages | 01 Jun 2004 | Riverhead | 5.31 x 8.03in | 18 - AND UP
Awards
  • New York Times Notable Book 2003
Summary of Grass For His Pillow Summary of Grass For His Pillow Reviews for Grass For His Pillow An Excerpt from Grass For His Pillow

Praised for its epic scope and descriptive detail, Across the Nightingale Floor, the first book of the Tales of the Otori, was an international bestseller and critical success, named by the London Times as "the most compelling novel to have been published this year." With Grass for His Pillow, Book Two of the Tales of the Otori, we return to the medieval Japan of Hearn's creation—a land of harsh beauty and deceptive appearances.

In a complex social hierarchy, amid dissembling clans and fractured allegiances, there is no place for passionate young love. The orphan Takeo has been condemned to work as an assassin—an enforced occupation that his father sacrificed his own life to escape. Meanwhile, Takeo’s beloved Shirakawa Kaede, heir to the Murayama and alone in the world, must find a way to unify the domain she has inherited, as she fights off the advances of would-be suitors and hopes against fading hope that Takeo will return to her...

”A welcome sequel...deliciously readable. In this new volume, we find ourselves once again transported to a medieval Japan of the imagination: a harsh land ruled by local warlords, an essentially static social order in which family ties bind tightly, a culture that mixes great refinement with unspeakable brutality...Reads like a fine translation from the Japanese.”—The New York Times Book Review

”This is the second installment in Hearn’s trilogy and astonishingly it’s even better than volume one...the emotional power of the story is vastly magnified. Time and destiny are almost tangible in the novel...The beauty, savagery and strangeness of Hearn’s gripping tale is heightened by her exquisite, crystalline prose.”—The Independent on Sunday (UK)


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