A powerful debut memoir from a published poet and emerging writer.
At the age of sixteen, R. Dwayne Betts-a good student from a lower-middle-class family-carjacked a man with a friend. He had never held a gun before, but within a matter of minutes he had committed six felonies. In Virginia, carjacking is a "certifiable" offense, meaning that Dwayne would be treated as an adult under state law. A bright young kid, weighing only 126 pounds-not enough to fill out a medium T-shirt-he served his eight-year sentence as part of the adult population in some of the worst prisons in the state.
A Question of Freedom is a coming-of-age story, with the unique twist that it takes place in prison. Utterly alone-and with the growing realization that he really is not going home any time soon-Dwayne confronts profound questions about violence, freedom, crime, race, and the justice system. Above all, A Question of Freedom is about a quest for identity-one that guarantees Dwayne's survival in a hostile environment and that incorporates an understanding of how his own past led to the moment of his crime.
[ 1 ]
Thirty Minutes
Sixteen years hadn’t even done a good job on my voice. It
cracked in my head as I tried to explain away the police car
driving my one hundred and twenty-six pounds to the Fairfax
County Jail. Everything near enough for me to touch gleamed
with the color of violence: the black of the deputy’s holstered guns,
the broken leather of the seat I sat on and the silver of the cuffs that
held my hands before me in prayer. When I closed my eyes I thought
about the way the gun felt in my palm. I tried to remember what caliber
pistol it was, but couldn’t. It was automatic and weighed nothing
in my palm, and I couldn’t figure how something that weighed
nothing could have me slumped in the back of a car driving me away
from my life. My wrists almost slipped through cuffs that held me
captive as jailhouse dangers swirled red in my head.
I want to tell you that I could talk tough, that I was going over
every way I knew to say fuck you. But I wasn’t. There were titles of
movies and books on my mind: Shawshank Redemption; American
Me; Blood In, Blood Out; Makes Me Wanna Holler; Racehoss; The Autobiography of Malcolm X. Every movie or book I’d ever read
about prison bled with violence and I knew the list I was making
in my head could go on forever. Stories of robbery, rape, murder,
discrimination and what it means to not be able to go home. Sixteen
years old and I was headed to a jail cell, adding my name to the
toll of black men behind bars. Not even old enough to buy liquor or
cigarettes, but I knew I’d be stepping into the county jail in minutes
and that my moms was at home somewhere crying.
When I tried to part my hands I thought about the violence, about
how real it is when a cell door closes behind you at night. I thought
about needing a knife, ’cause from what I knew everyone needed a
knife. I stared at my shackled feet. I hadn’t seen my Timberlands
since the day I was arrested, three months earlier.
I was getting ready to learn what it meant to lock your thoughts
inside of yourself and survive in a place governed by violence, a place
where violence was a cloud of smoke you learned to breathe in or
choked on. Sometimes there’s a story that’s been written again and
again, sometimes a person finds himself with a story he thinks will
be in vogue forever. The story is about redemption, about overcoming.
A person finds that story and starts to write it, thinking it will
do him some good to tell the world how it really was. That’s not this
story. This is about silence, and how in an eight- year period I met
over a dozen people named Juvenile or Youngin or Shorty, all nicknames
to tell the world that they were in prison as young boys, as
children. We wore the names like badges of honor, because in a way,
for some of us, it was all we had to guard us against the fear. And
we were guilty and I was just like everyone else: I thought about the
edge of a knife.
My world before incarceration was black and white. Suitland, Maryland,
the closest thing to the black belt that I’d ever seen. And it wasn’t just that there were no white people in my community, it was
that as a kid we always saw the white people around us as intruders
or people looking to have power. Teachers, firefighters, cops or the
white folks we saw on buses and trains who we imagined driving
into D.C. from their nice neighborhoods to work. One night at a
mall in Springfield, Virginia, changed my world. It only took thirty
minutes. Brandon and I walked into a mall that literally had more
white people in it than I’d ever seen at one time. And we had walked
in looking for someone to make a victim. Both of us were in high
school. We should have been thinking homework, basketball and
pretty girls. Driving to the jail brought the night in Springfield fresh
to my memory. Somewhere between pulling out a pistol that fit
nicely in the palm of my hand, tapping lightly on the window of a
forest green Grand Prix and waking the sleeping middle- aged white
man with the muzzle of the burner, I committed six felonies. It was
February of 1996 and I was a high school junior. I’d never held a gun
before and was an honor student who could almost remember every
time the police had spoken to me, but I knew none of that mattered
as my face pressed against the window of the cruiser.
I wore a sweater of swirling greens and oranges woven and layered
as collage; a cheap imitation Gucci that I had buried long ago
in my closet. I remember when my moms bought it. I begged for
the sweater, thinking if it fooled me it would fool my friends. I was
dead wrong. The first time I wore it to school six people joned on
me, cut me up so bad that I dumped it under a rack of old clothes
and books. It happened a year before I got locked up, when I was in
tenth grade and impressing the finest girl in my chemistry class ruled
every other ambition. The sweater resurfaced when I needed court
clothes. My mother told me that I needed something nice to wear
to court. The judges were always white. There may have been black
judges but I never saw or stood before one the entire time I trekked
back and forth to court. The juvenile judge who watched me stand uncomfortable in the sweater I ended up wearing to the jail didn’t
care how I looked. He stared at the charges before me and agreed
with the prosecutor to pass me over to adult court before I could
speak. It was all policy, a formality that my lawyer knew about. He
told me, “Don’t worry. This was a formality I knew was coming.
The law says that certain charges are automatically certifiable, and
carjacking is one of them, but in Circuit Court the judge will have
more discretion.”
What he was really saying was that nothing I wore mattered.
Clothes could hide me no more than days of smoking weed made
people think I was built for running the streets. The law said the
gun, the carjacking, the robbery all made it an argument we couldn’t
win. Three things that meant my past didn’t matter and certification
as an adult was automatic. It’s like the car, the cuffs, the shackles and
even the drive were as good as guaranteed when I pulled a pistol on
that sleeping white man.
All I had with me was my body and a black trash bag that an
officer took from me as they led me to a bench in a corner. On my
lips and in my head was the start of a new language defined by the
way words changed meanings, all because I’d decided to make a man
a victim. New words like inmate, state number and juvenile certification had crept into my vocabulary. An inmate is what I’d become
as soon as the deputies picked me up from the juvenile detention
center. It meant I was in the custody of the Fairfax County Jail, and
the most important thing anyone needed to know about me was my
state number. It was a five- digit number I soon learned meant more
than my name. It said I was who I said I was whenever I walked
around the jail with the band they attached to my arm.
At Landmark we weren’t inmates, we were juvenile offenders,
which was a nice way of saying black boy in jail from what I saw,
because that’s all we were at Landmark. Landmark Detention Center
was a juvenile facility that housed boys and girls. Mostly the kids were in there for fighting or truancy or selling drugs. There was one
white boy in there with us; everyone else was black. Four small units
that were as secure as any prison. Everything was electronic and you
could only move when told to. But you got to go to school, had to
go to school, and the uniform was sweatpants and a T- shirt. That
meant if you tried hard enough you could have imagined yourself at
an extended camp. Unless of course you were me, given a single cell
in the corner and a note on your door that said no roommate because
you were waiting to be transferred to the jail.
It didn’t take long for me to move from inside the squad car to
inside the jail. Voices jumped around me in a chaos that belongs to
jails and prisons. The same officers who’d driven me to the jail were
with me. “You know this jail isn’t like the place we’re taking you
from. All you kids in there running around trying to be tough. Well,
you’re going where they say the tough guys are.” The officer wanted
to scare me. He was standing as I sat, looking down and probably
imagining a scene from the nightly news of a gun- toting young black
man gone crazy. He probably thought about the victim and what
they say on TV about black boys who pull guns on people. Fear was
a commodity everyone traded in. In three months I’d learned that
everyone from lawyers to the judges to the other kids around me
thought their power rested in getting someone to fear you. After
the arrest warrant had been signed there was only fear and violence.
But there had been fear and violence in my life before. Fights in the
streets when my arms stopped working after taking too many jabs,
or afternoons I spent running from fights. It all caught up with me
when I started believing that fear and violence were the things power
was made of, and I wanted to touch it if only for a moment.
Thirty minutes changed my life. It took less than thirty minutes
for me to find the sleeping man in his car, and it took less than thirty
minutes for me to get to the jail. When I walked in, the rank smell of
the place hit my nostrils like the fat end of a bat. It made me feel like a man who’d spent a week sleeping in his own piss and shit, breathing
it until shit was the only important thing left in the world. Outside
the sun lit up the sky but in there it was past dark. A toothless man in
the holding cell across from where I stood drooled and yelled at the
bars before him. I was embarrassed. It had taken thirty minutes for
me to commit the crime that made me a statistic. Statistic—another
word that took on new meaning after I found my hands in cuffs. I
was on a bench in the basement of the Fairfax County Jail waiting
for an officer to tell me what cell I’d be spending the night in. I was
a statistic, another word for failure, and it hurt because no matter
what the prosecutors thought, I not only didn’t want to be in jail, I
really didn’t want to be the person pulling guns on people. The jail’s
smell was funky, but since people were used to the smell eyes kept
drifting to me, the young boy sitting on the bench in the corner. The
smell was somebody’s breath after they’ve thrown up a plastic cup of
Hennessy; piss saturated into someone’s clothes, into their skin; but
not as noticeable to them as my shaking hands and fresh face.
“Good luck, kid.” The female officer shook her head as my escorts
left. Maybe she heard my mother crying. I watched their backs and
only knew they were leaving the drabness of the county jail, walking
outside, not even twenty feet, to where the freedom I couldn’t
touch shone bright under the sun. I was falling deeper and deeper
into a hole I’d dug myself into but couldn’t dig myself out of. If I’d
seen that hole three months before, I would have run away from the
man sleeping in his car. As I looked around the jail, I realized that
my days as a juvenile were done. And they were. Once you were in
the system there wasn’t anything saying you came in as a kid. You
were just in, shut out with the light of day. All I had behind me were
the snatches of small talk exchanged with guards before court dates,
where they heard twelve million black voices crying out to a juvenile
court judge for mercy. They were tired of the parade.
[ 31 ]
Drinking Age
When I looked up again, I’d turned twenty- one and got one
birthday card. It was handmade, a black man on the cover
raising a black fist. From my folks Freddie and Joel in the
block next to me. Freddie and I went back to the hole at Southampton.
I hadn’t seen him in years when one day he showed up with a
black trash bag full of his property. The cards my family sent to me
got there days later, maybe the next week. I was missing years. I’d
turned seventeen, eighteen, nineteen, twenty and then twenty- one in
prison with nothing to show for it. I’d spent over a year in the hole,
read more books than I could count, and watched the hairs on my
head begin to turn gray. One morning I noticed a gray eyelash, a gray
groin hair. My spirit was anchored to faces that floated behind my
eyes when I thought about what time meant: my mother crying, my
little sisters seeing me for the first time in years in a visiting room.
Once, I’d argued with someone on a legal issue and decided to
take a paralegal course. My mind was working in echoes. I remembered
Terrence Johnson and told myself that I’d be the lawyer that he wasn’t. It was about proving something at first. I asked my mom
to help me pay for the course. In ten months I’d finished with straight
A’s. That’s when I realized that it wasn’t an official accredited course,
which meant the classes weren’t recognized by the body that certified
paralegals. But it didn’t matter. I’d learned some basics of law. How to
research cases and write briefs. And while I was learning the prison
system was shaking up. People were getting transferred every day.
I’d finally been out of trouble long enough to think I could get
transferred and I was ready to leave. After a while, there’s nothing
to do but get vexed at prison’s monotony. I was developing a stack
of memories that all had to do with Sussex. People I knew who had
died from cancer. The boy with AIDS who was waiting to die. Jones
putting the sweetest crossover I’d seen since ninth grade on Steve. I
could recall when my cousin was in the visiting room talking to me.
A little youngin, Malcolm could have been but thirteen when I last
saw him. Then, just as I was ready to get transferred, we were writing
each other. He was locked up, certified as an adult for a murder
that resulted from a robbery.
Malcolm got thirty- five years. I told myself he wasn’t following
the legacy I laid out, but I was the first person on my mom’s side of
the family to go to prison. For a while, some of my folks thought
I was away at college. Or they just thought I’d disappeared. Or
they thought I was the victim of some foul plot by the state. They
thought someone snitched on me. It was a gumbo of rumors and
maybe if there had been more truth Malcolm would have gone a
different route. He was only fourteen when he got sentenced. I felt
like my family was getting branded. Like there were certain families
that did some things, like go to college and become doctors, lawyers,
teachers, and then there was my family: not a college graduate
in sight, not a father in sight. Pity is a terrible game to be playing from prison. But when I started to write Malcolm, that’s the game
we played. It was pity on paper, and clinging onto the only thing
that had given us a rep, the few wild nights in the street, the insanity
of what led us to prison.
I was twenty- one and was getting letters from my cousin and one
of the childhood friends I hadn’t talked to in years. Both of them
were questioning my voice. Tommy, the cat I’d gone to high school
with, the brother that was my right- hand man, right there when I
lit the first blunt behind the Penn Station apartments. He told me
he’d beat a manslaughter rap. That he’d beaten someone to death
in a fight outside of a club. It was hard to hear. He’d beat a body,
but the real thing was that the kid I remember making a joke out of
someone offering him weed was deep in the streets. We’d changed
without knowing how or when and we didn’t have a language to talk
about that. Instead we talked about words. How I said cat instead
of youngin and sometimes I wrote out son. He thought I was trying
to sound like I was from New York. Somewhere along the line our
identities were lost in the slang we sung and the way we wore our
clothes and even in prison I couldn’t escape it.
And just as I read his letter I read my cousin’s letter. Who told me
I wasn’t on that thug shit anymore. That I sounded soft. He was on
his way to a quarter century in prison and he was telling me that I
sounded soft. One of my closest friends from prison had a life sentence.
He came into the system and was christened Juvenile, because
he was only sixteen when he got locked up. Years before, when my
lawyer was telling me I’d be certified, I thought I was different. I
thought I was the only one suffering like that. But I wasn’t. At every
prison I met someone who lived under the same conditions.
Juvenile had been in the system for ten years when I met him
and still carried the moniker that marked him as different from the
majority of people who called a jail cell home. One night we were
in the cell talking about parole. I’d get so irritated at the way people wanted change but weren’t working for it. Somewhere along the way
I’d forgotten how hurt will make you stop moving. I stood on the
small bench that was by the even smaller window and looked out into
the blackness as we talked. I was running down how he could make
first parole when he stopped me. “You think it’s that easy? Right
now three percent or less of the people that go up for parole make
it.” What was in his eyes was the thing words don’t capture. Some of
us weren’t going to go home, and if there is a chance that you won’t
go home, that you will never relax in a living room with your loved
ones, the world is a different place. And I realized he was a good man
who carved his life into a moment he couldn’t escape from. That for
months he’d been looking out for me and treating me like a brother
with the world curved into a fist and pounding on his head.
I ask myself if it matters what he was locked up for, if society
really cares about the blood that’s spilled when black boys turn the
streets they ran as a child into a battlefield, if anyone understands
that we don’t forget our victims. That the memory of the moment
that locked us inside walls that cave our hearts in stays with us forever,
and everyone we’ve ever hurt reminds us in our sleep. The truth
is the names in this book represent real people, and whatever I say
fails to open the cell doors that close behind them.
I wanted to explain some of that to Malcolm and Tommy. But
I didn’t. The reality of what prison was had been twisted by what
played on TV, or what was on the news. Prison was a multitude of
grays that I didn’t describe because at the time I wanted to defend
myself. I wanted to ask Malcolm what a thug sounded like, and to
talk about the time and what it did to thugs and men alike. The truth
was that I’d never been a thug, that it was a façade I wore for a while
and got caught up wearing. But where did it come from? Some of us
grew up in places that opened the realm of possibility to the insane
and inane. To the things that we did at night that left victims and
years haunting us.
While I was mulling this over, Juvenile was going about his
days like the time wasn’t a bomb ticking in his ear. In a way he had
more hope than folks sentenced under the new law. The new law
was passed in the mid- nineties when many states abolished parole
and went to what they called truth in sentencing. It meant you were
going to serve eighty- five percent of the time you were sentenced
to, no matter how you behaved, no matter if you were sentenced to
sixty years. At least he had a chance at parole. One afternoon on the
rec yard I was talking with Righteous, a cat from Newport News,
and some guy who had just come in. I’d just finished doing push- ups
and pull- ups. Twenty sets of ten pull- ups. Two hundred in all, more
than anyone would think was needed but just enough to make us
think about time a little less. The new cat claimed he’d gone to Suitland
high school. He knew the names of the dudes I’d run with, he
knew their stories, too. More than that though, he had twenty- five
years in prison and there wasn’t much more that I could say to him.
I was thinking about freedom and he was just starting a life that was
going to be about prison more than anything else. We stood by the
fence, behind which stood the building that housed the death row
inmates. From the windows that stared at us the people on death row
could watch us walk a rec yard that they would never touch because
their life was reduced to cells and the kennel- like cages reserved
for segregated inmates. Righteous had by chance spotted someone
in the window he knew. For a few minutes, the two communicated
through a makeshift mix of lip reading and sign language. When
Righteous asked the man in the cell when he was going home, it was
like a silence took over the entire weight pile. I stopped noticing the
people running laps around the gravel. I couldn’t hear the people still
counting out reps. I watched the face behind the window. I watched
him slowly mouth the words “I’m on death row.” I can’t explain the
way Righteous’s face dropped into a sense of loss that was so profound
he started looking around for a way out. On one side of me was someone I’d gone to school with but couldn’t remember to save
my life, just starting a fresh twenty- five- year sentence, and on the
other side was a row of windows filled with people on death row.
There weren’t enough pull- ups to make sense out of that, and there
weren’t enough pull- ups to explain why I hadn’t described this feeling
to Malcolm before he caught his case.
In the end it didn’t matter. For weeks vans pulled up to Sussex 1 State
Prison and dropped off the men who would walk around those halls
for the next couple of years, until they, too, were transferred somewhere
else. Among them were those who would take the jobs held
by people leaving. Someone would be a houseman and clean showers
and toilets for twenty cents an hour. Someone would be the block
librarian. Some of them would be in the kitchen. I wouldn’t though,
not anymore. One of the vans that dropped them off picked me up
and drove me to Augusta Correctional Center. I was twenty- one
years old and approaching my last leg. A short- timer with less than
three years to up off my back.
"Dwayne Betts was incarcerated for 9 years in an unforgiving place?a place in which he also discovered the incredible power of books and reading. He's written his own life-changing book, which may well prevent other young men from making that detour to prison. A searing and ultimately uplifting story." ? Hill Harper, Best selling author of Letters to a Young Brother and Letters to a Young Sister.
"I'm so happy to have been introduced to the miracle that is R. Dwayne Betts' A Question of Freedom. It tells so many important stories: of senseless violence that plagues our streets, the devastating affect our prison system is having on so many young African-American males and the struggles we must all experience before we can find redemption. But perhaps most importantly, it's a story about the power of consciousness. A reminder that no matter how confining our surroundings might seem or how bleak our future might look, as long as we are in touch with our higher selves, we can always tap into both the compassion and the toughness that is in all of our hearts. Betts is a major new voice in hip-hop and I look forward to being inspired by him for years to come." -Russell Simmons, author of Do You: 12 Laws to Access the Power in You to Achieve Happiness and Success.
"This book is a lesson on living. How does one become a man after being in a cell? A Question of Freedom is not a book of answer. Instead, this memoir is a reminder that a black boy can turn his world around. Betts shows us that words are key. This book will unlock your compassion." --E. Ethelbert Miller, Director of the African American Resource Center, Howard University
"At last a clear defining voice to express the feelings and hardships of so many young black boys trapped in America's prisons. A survivor among the countless lost souls, Dwayne loudly demands to be heard--in a soft and honest tone. A magnificent journey!" - -Lou Ferrante, author of Unlocked: The Life and Crimes of a Mafia Insider
"A Question of Freedom is a must-read and should be required reading for all those young sons and grandsons and brothers and nephews and uncles who believe this can't happen to them; it can, even if they can't wrap their brains around such a concept." - Baltimore Times
If you could go back in time to before the carjacking, and give yourself three books to read, what would they be? In retrospect, would reading The Black Poets or any other book have prevented you from committing your crime? Would anything have?
The thing about books, for me, is that they open up the world in a way that any one community or family can’t. If I could give myself three books a few months before the crime, they would be Sent For You Yesterday by John Edgar Wideman, East of Eden by John Steinbeck and The Price of the Ticket by James Baldwin. The books would have helped me understand the world more, but the thing I know that would have helped prevent the crime is a place where I could have talked about the issues in these books and in the books I’d read before prison. Serious, challenging discussions that I believe adults are capable of having with young people that in turn will have them focus more on what they want out of life, instead of what they want out of any particular moment.
What do you imagine your life might be like now if you hadn’t picked up that gun? Do you ever think that the time you spent in prison was worth it given the person you subsequently became?
Prison is never worth it. Now that I’ve been in prison, I can’t imagine how my life would have been without it – my memories, my childhood can only be looked at through the lens of my prison sentence and while I have regrets, a lifetimes worth, I know that I am both proud of the person I have become and would in a minute change my life so that I could live without knowing what it means to be locked in a cell.
You write that prison, at that point, was the most multi-cultural place you’d ever been. Would you say that is typically the case for young, black inmates?
It really depends on what state and city you get arrested in. Initially, I was in Fairfax, VA, and they have a high Hispanic population, and there were a good number of Hispanics as well as whites. In prison, although the population was black there where enough white people where most young black males, that came from neighborhoods that were predominantly black like mine, had their first personal conversations with white males.
Prison was also the first place where you had conversations with older black men. Can you discuss how your relationships with these men changed you?
I learned a broader sense of the histories of a group of men, of older men who had scarred the world and been scarred by the world. By speaking with men of my generation and earlier generations I was able to see how my behavior fit into a certain context, and I was able to envision my story being told in a different context.
You talk about Terence Johnson—an ex-con who made good and then failed spectacularly—a number of times in the book. Even after achieving numerous successes, do you still feel haunted by his failure? Is it possible for any black man to feel complacent in America?
I don’t look at Terrence Johnson’s failure as his alone – and so if I say I’m haunted by it, it’s more so that I’m haunted by the way an entire community failed and the way the failure of the community, of any community when it comes to a child going tragically wrong, gets placed solely on the shoulders of the kid, or the kid’s family. The better question for me is, is it possible for any American citizen, any human to feel complacent – and it’s not. We are all accountable to each other for the tragedies that we instigate and for the tragedies that occur without us feeling enough empathy to think about prevention as well as punishment.
In A Question of Freedom, you recount fights that broke out in prison over rap music and discuss the influence rap lyrics have over black youth. Do you still listen to rap? Is there a message you would like to pass on to rap artists?
I still listen to rap: Wale, Nas, Jay –Z, Outkast, Mos Def. I can name a long list of hip hop artists I listen to on a regular basis. If I had a message it would be to the parents, to the young people – hip hop, whatever else it is, is a reflection of part of the lives of this generation. If we want it to reflect more of what our lives are, than families and communities have to expose our youth to more of what our lives are – and engage them in what the music is saying. Jay-Z has a line that says, “Do you really listen to the music or do you just skim through it.” Both young folks and our elders are, on occasion, guilty of just skimming through the music. The fights broke out because of that skimming. The fights that broke out over rap were less about the influence of any particular lyric and more about our inability to think and talk critically about what we connected to emotionally.
Your friend, Green Eyes, was six months from getting out when he was provoked into attacking a fellow inmate with an icepick. Was the victim deliberately trying to sabotage his release, or was Green Eyes’ sabotaging himself?
I wouldn’t call Green Eyes my friend – and I think understanding that is the beginning of understanding his attacking the other guy. Prison is a world ruled by violence and impulse. Some things are calculated, but some things just happen. I doubt the guy consciously thought, “I’m going to sabotage Green Eyes’ release.” He likely thought that Green Eyes wouldn’t do anything because he was so near release – the issue though, is that Green Eyes was in a world where it was possible to settle a dispute with the sharpened end of an icepick and nothing but tragedy can follow that.
You were in prison and wrote much of this memoir before Barack Obama became President of the United States. How, if at all, do you think his election will affect the lives of young black men in this country?
This past presidential election was historic – and I recognize that for the first time in history black fathers like myself can tell their sons that they can be president of the United States and believe it. Yet, his election doesn’t change the very real and persistent problems young black men in America face. We are still more likely to drop out of high school, more likely to go to prison and more likely to die young. President Obama’s election was good for this country – but so was Kennedy’s, so was Clinton’s, Roosevelt’s – and so I think we have to recognize that it’s unfair to expect microcosmic shifts in the lives of young black men based on this election. Macrocosmic shifts in hopes, ambitions and public policy, yes – but the changes in every day lives will have to come from what everyday people in communities do.
Your portrait of the so-called “rehabilitation” of prisoners is grim. Do you see the situation improving at all in the future?
There are members of Congress now, such as Rep. Bobby Scott from Virginia as well as Senator Jim Webb from Virginia, who are looking hard at prison reform. If people take a hard look at how often the system fails, there will be changes. If people recognize that it is more cost effective to rehabilitate than over-incarcerate, there will be changes. So I’m hopeful, because now I see the movement towards change.
Do you keep in touch with any of the friends you made in prison? What advice would you give to someone in prison now?
I keep in touch with a few people. It’s difficult because life is busy and we’re moving away from letter writing as a culture, moving towards email and text messaging, things that most prisoners have never really done or heard of. As far as advice, I’d remind people of what they already know. Prison doesn’t have to change who you are, and that the only thing you can control, ever, is how hard you work for your cause. I’d also remind them that the world of knowledge, of literature and books is one of the least discriminating places there is.
Was there one moment in which you decided not to let the endless, pervasive violence of prison life suck you in permanently or was it a series of realizations? How have you managed to continue to rise above your past traumas?
It remains to be seen if I’ve risen above my past traumas. I live with them daily. I don’t let them change who I am, because I can’t. I’ve seen what happens when you define your life by your trauma. There wasn’t one moment that I decided not to get caught up in the violence of prison. The truth is, I just didn’t want to be that person and to survive prison I had to recognize that pretending to be what I wasn’t would not help me. In the free world, people can pretend to be what they aren’t and survive, maybe even become successful. But putting on a façade in prison will damage you forever, or worse.
What was the most difficult aspect of this book to write and why?
Every single page.
Along with Spanish and rudimentary law, you taught yourself to write in formats other than poetry. Do you have any other books planned?
My poetry manuscript, Shahid Reads His Own Palm, won the 2009 Beatrice Hawley Award will be published in May 2010 by Alice James Books. Other than that I’m just working to get my memoir a wide readership and writing whatever I’m moved to write.