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A Person of Interest

A Novel
Susan Choi - Author
$24.95
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Book: Hardcover | 5.98 x 9.01in | 368 pages | ISBN 9780670018468 | 31 Jan 2008 | Viking Adult | 18 - AND UP
Additional Formats:
Paperback: $15.00
eBook - eReader: $15.00
eBook - Microsoft Reader: $15.00
eBook - Adobe reader: $15.00
A Person of Interest
From an acclaimed novelist, an emotionally complex and riveting story of suspicion, innocence, and regret

When a mail bomb explodes in the campus office next door, Lee, an Asian American math professor at a second-tier university in the Midwest, comes under suspicion. The authorities believe he may be the infamous “brain bomber,” an elusive terrorist whose primary targets are prominent scientists and mathematicians.

In the midst of campus tumult and grief over the star computer scientist who was killed by the bomb, Lee receives a disturbing letter from a figure in his past. Certain he is being targeted for revenge, he begins confronting key events in his life. Misunderstood by the people around him, Lee is not conscious that his behavior has begun to heighten suspicion in the minds of his colleagues, students, and neighbors, leading the FBI to designate him “a person of interest” and pushing his life and reputation to the verge of ruin.

Intricately plotted and engrossing, A Person of Interest asks how far one man can run from his past, and explores the impact of scrutiny and suspicion in an age of terror. With its propulsive drive and vividly realized characters, Susan Choi’s latest novel is as thrilling as it is lyrical, and confirms her place as one of the most important young novelists chronicling the American experience.

It was only after Hendley was bombed that Lee was forced to admit to himself just how much he'd disliked him: a raw, never-mined vein of thought in an instant laid bare by the force of explosion. Of course, it was typical in his profession for diminishing elders to harbor ill-will toward their junior colleagues. But Lee, who had been tenured in his department for almost twenty-five years, felt that he was exempt from the obsolescence that infected most other professors his age. He was still capable of the harsh princeliness he'd possessed in his youth, although now he was half through his sixties, and his hair was all white. That old aristocratic hauteur would return suddenly, and his loose, dowdy trousers, always belted too high, would seem to sit on a younger man's waist. The liver spots that had come to his face would be bleached by the glare pouring forth from his eyes. His wasn't the kind of temperament spouse or child or friend had ever wanted to cleave to, but for his students it had the power to impress; like most of their peers, they found the notion of mentorship fusty. Unlike Lee in his own student days, they shunned the emeritus aura. They mostly wanted teachers who acted like pals—this was why they'd loved Hendley—but they didn't scorn Lee quite as much, he felt sure, as the other professors his age, the old men with their elbow-patched tweeds, and their stay-at-home wives who made cookies and tea for the very few students who still bothered to seek professorial counsel.

His dislike of Hendley was all the more painful to him for his ignorance of it. Had he known he might have forgiven himself his eager awkwardness in the face of Hendley's camaraderie, the oh yeses he would hear himself helplessly blurting whenever Hendley found him at their faculty coffee events, as if the past fifty years hadn't happened and he was fresh off the boat with ten phrases of English etched painstakingly in his mind. His dislike of Hendley might have prepared him somewhat, if not for what happened then at least for the dislike itself, the cold shock of his first, addled thought when he'd felt the vast fist of the detonation, like a bubble of force that had popped in his face. He'd felt his heart lurch, begin to flop in disorder and fear; he'd seen with his own eyes his wall of university-issue bookcases, the cheap metal kind with adjustable shelves, seem to ride the wall separating his office from Hendley's as if they were liquid, a wave. He had waited an endless instant, the eon between beats of his heart, for those bookcases so laden with waxy math texts to crash down in one motion and kill him, but they somehow had not. The explosion—he'd known right away it was a bomb; unlike almost all of his colleagues, he knew the feel of bombs intimately—had somehow not breached the thin wall through which, day after day, he'd heard Hendley's robust voice and his bleeping computer, and the strange gooselike yodel of Hendley's dial-up modem when it reached its objective. The explosion had not breached the wall, so that the work it had wrought on the far side was left for Lee to imagine, as he felt the force wash over him, felt his heart quail, and felt himself briefly thinking, Oh, good.

The bomb had arrived in a small, heavy cardboard box with the Sun Microsystems logo and address printed on it but afterwards it had been apparent to investigators, as it might have been to Hendley, had he examined the box with suspicion, that it had been reused—recycled, repurposed. Hendley had been alone in his office when he opened the box; Lee had known that Hendley was alone, would later realize that he had always been accurately and painfully aware of whether Hendley had student admirers in his office or not. The force of the explosion threw Lee from his chair, so that he found himself curled not quite under, but against the cold metal flank of his desk. For all that he'd lived through a violent and crude civil war, he'd never been that close to the heart, the hot core, of a bomb. He'd been in the vicinity of far more powerful explosives, such as left steaming holes in the ground—and of course, if he'd been as close, barely ten feet away, to any one of those bombs as he'd been to Hendley's, he would not have lived to feel Hendley's at all. But he had never been so close to a detonation, to that swift bloom of force, regardless of size, in his life.

After the explosion Lee lay curled on the floor of his office, his body pressed to his desk, his eyes closed; they weren't screwed shut in terror, just closed, as if he was taking a nap. The building's automatic sprinkler system had been activated by the blast, and now regular, faintly chemical rain sifted down upon Lee with an unending hiss. Lee did not register the disorder of noise taking form in the hallway: the running feet, toward and away; the first shattering scream. The ambulances arrived first, and then the police and the bomb squad; it was the bomb squad that found Lee, sitting up by that time, with his back to his desk, his legs straight out on the cold tile floor, his gaze riveted forward, but empty. Later, he would tell the police he had known, without doubt, that the bomb must have come in the mail. That rhythm, so deeply ingrained in Lee's being: the last mail of the day, the last light stretching shadows across the cold floor, the silence that grew more deep around him as the revelry in Hendley's office began. Loneliness, which Lee possessed in greater measure and finer grade than his colleagues—of that he was sure —made men more discerning; it made their nerves like antennae that longingly groped in the air. Lee had known the bomb had come in the mail because he had known that only an attack of mail-related scrupulosity would have kept Hendley in his office with the door shut on a spring day as warm and honey-scented as this day had been; Hendley was a lonely man too, in his way. Because the neighboring office was quiet, Lee knew Hendley must be alone; because Hendley was alone, he knew that Hendley was opening mail; because Hendley was opening mail, Lee knew it was that day's mail, freshly arrived. Then the bomb, and Lee's terrible gladness: that something was damaging Hendley, because Hendley made Lee feel even more obsolete and unloved. It had been the gross shock of realizing that he felt glad that had brought him to sitting, from being curled on the floor, and that had nailed his gaze emptily to the opposite wall. He was deep in disgusted reflection on his own pettiness when the bomb squad found him, but unsurprisingly they had assumed he was simply in shock.

“We read ‘A Person of Interest’ for one of the best reasons to read any fiction: to transcend the limitations of our own lives, to find out what it’s like to be someone else, to recognize unmistakable aspects of ourselves staring back at us from the portrait of a stranger.”
—Francine Prose, The New York Times Book Review

“Choi deftly turns our gaze away from the obvious and takes us on a complicated and revealing journey into the alienated heart of modern American life … Choi juggles suspense and psychological drama with an acrobatic dexterity.”
Los Angeles Times

“Susan Choi … is a writer with rare gifts. She has an eye for the telling details that reveal complicated, fully developed characters as well as an equally acute sensitivity for the times we live in.”
Minneapolis Star-Tribune

"Stunning . . . Choi's writing is elegant and surprisingly expansive."
Village Voice

“Pulitzer Prize finalist Susan Choi returns with a straight-up thriller … gripping, smart.”
GQ

“… cultural provocateur a la DeLillo, but with a keen sense of psychological nuance. . . . Choi has the all-too-rare talent of making the political feel unsettlingly personal.”
Vogue

“Tenured math professor Lee has been teaching at a midwestern university for ages, yet he is utterly isolated within a web of anger and regret. When the popular young department star is gravely injured by a mail bomb, Lee is physically unharmed but psychically devastated. Assailed by painful memories of his affair with his only friend's wife and his own failed marriages, Lee, whose Asian backgroun is left deliberately vague, is completely undone when he becomes a person of interest to the FBI. How he handles the hostility of his colleagues and the invasion of his privacy by the government and the press is the engine that drives this intricately psychological novel's brainy suspense, while the slow unveiling of his past tells a staggering story of love betrayed. Choi follows the game plan of her lauded second novel, American Woman (2003), a takeoff on the Patty Hearst story, venturing here, albeit superficially, into Unabomber territory. Lee is unconvincing as a mathematician but mesmerizing in his ineptness and anguish. Subtle humor, emotional acuity, and breathtaking plot twists keep this tale of wounding secrets rolling as Choi's brilliant calculus of revelation and forgiveness delivers a triumphant conclusion.”
— Donna Seaman, Booklist, starred

“After fictionalizing elements of the Patty Hearst kidnapping for her second novel (the 2004 Pulitzer finalist American Woman), Choi combines elements of the Wen Ho Lee accusations and the Unabomber case to create a haunting meditation on the myriad forms of alienation. The suggestively named Lee, as he's called throughout, is a solitary Chinese emigre math professor at the end of an undistinguished Midwestern university career. He remains bitter after two very different failed marriages, despite his love for Esther, his globe-trotting grown daughter from the first marriage. As the book opens, Lee's flamboyant, futurist colleague in the next-door office, Hendley, is gravely wounded when Hendley opens a package that violently explodes. Two pages later, a jealous, resentful Lee "felt himself briefly thinking Oh, good." As a did-he or didn't-he investigation concerning Lee, the novel's person of interest, unfolds, Lee's carefully ordered existence unravels, and chunks of his painful past are forced into the light. While a cagily sympathetic FBI man named Jim Morrison and Lee's former colleague Fasano (who links the bombings to several other technologists) play well-turned supporting roles, Choi's reflections from Lee's gruffly brittle point of view are as intricate and penetrating as the shifting intrigue surrounding the bomb. The result is a magisterial meditation on appearance and misunderstanding as it plays out for Lee as spouse, colleague, exile and citizen.
Publishers Weekly, starred

"[An] eloquent, penetrating novel . . . Behind the headlines that trigger Choi's imagination, she sees intricate, difficult lives; she sees romance and error and dignity and pain—and finally, as with Lee, she sees the possibility for redemption."
O, The Oprah Magazine

"No matter the year in which her novels are set, Choi's subject is contemporary American as much as it is America's past. The result is historical fiction with present-day relevance."
Poets & Writers

“Masterful. . . . Choi seems to be working in a genre all her own: politically astute, historically based, and dramatically propulsive. [T]he suspense is solidly grounded in character, not ‘twists.’ Its engine is the anxiety of a man whose sense of himself must be dismantled if he’s going to survive, who only gets his life back after a maniac blows it up.”
-Salon

“Choi’s writing probes the depths of Lee’s consciousness, as well as the collective consciousness of his small town, and reveals things about Lee he has not yet bothered to articulate to himself. . . . What is compelling about Choi’s characterizations is her sense of restraint . . . A Person of Interest is psychologically rich. The relationships fleshed out in Lee’s life – especially his romance with his first wife, and the conflicts in and around their marriage – are moving and compelling. The novel is a testament to Choi’s deft handling of her material. She reworks the classic detective novel as literary fiction, and shows how, given the right set of circumstances, any one of us could be labeled ‘a person of interest.’”
-San Francisco Chronicle

“Choi is wonderful at limning how strangeness roots in loneliness. . . . A Person of Interest brims with gifted writing, masterful observation, and propulsive plot. It sends Lee out to help solve the identity of the bomber, a role far more satisfactory than any lawsuit. In the barricaded past that the bombing stirs up, Lee finds a way to reassemble something essential, making for an unorthodox and deeply moving tale. The year is young, but A Person of Interest is the best new novel I’ve read in 2008.” -Cleveland Plain-Dealer

“Engrossing, intricately plotted . . . . While A Person of Interest crackles with the sensationalism of the actual Unabomber events, it is anchored by its quiet portrait of a man in the melancholic twilight of his career, beset with regrets and professional jealousies.”
-Time Out New York

“[T]errible honesty, surrounded by unanswered questions, is what makes Susan Choi’s third novel so compelling.” -Dallas Morning News

“Engrossing . . . masterful.”
-New York Sun

“Beneath . . . less-than-cheery broad strokes Choi places a rich layer of well- chosen details.”
-Bloomberg News

“If Henry James had lived in the age of pulp noirs, he might have wound up writing books a little like Susan Choi’s third novel, A Person of Interest. . . . Choi’s paragraphs are heavy, dense, carefully shaped mini-essays . . . her portrait of Lee’s paranoia is . . . exacting and affecting.”
-Washington City Paper


PEN/Faulkner Award Finalist

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