Fernando Pessoa was many writers in one. He attributed his prolific writings to a wide range of alternate selves, each of which had a distinct biography, ideology. and horoscope. When he died in 935, Pessoa left behind a trunk filled with unfinished and unpublished writings, among which were the remarkable pages that make up his posthumous masterpiece, The Book of Disquiet, an astonishing work that, in George Steiner's words, "gives to Lisbon the haunting spell of Joyce's Dublin or Kafka's Prague."

Published for the first time some fifty years after his death, this unique collection of short, aphoristic paragraphs comprises the "autobiography" of Bernardo Soares, one of Pessoa's alternate selves. Part intimate diary, part prose poetry, part descriptive narrative, captivatingly translated by Richard Zenith, The Book of Disquiet is one of the greatest works of the twentieth century.

Introduction   vii
Notes on the Text and Translation   xxvii
Acknowledgements   xxxii

The Book Of Disquiet

Preface by Fernando Pessoa   3
A Factless Autobiography   9
A Disquiet Anthology   393

Appendix I: Texts Citing the Name of Vicente Guedes   465
Appendix II: Two Letters   467
Appendix III: Reflections on The Book of Disquiet from Pessoa's Writings   471
Notes   477
Table of Heteronyms    505

“This superb edition of The Book of Disquiet is . . . a masterpiece.”  —John Lanchester, The Daily Telegraph

“Pessoa’s rapid prose, snatched in flight and restlessly suggestive, remains haunting, often startling. . . . There is nobody like him.” —W. S. Merwin, The New York Review of Books

“Extraordinary . . . a haunting mosaic of dreams, autobiographical vignettes, shards of literary theory and criticism and maxims.” —George Steiner, The Observer

"I plan to use this book every year in my course at Yale.  Thanks for making it available." —K. David Jackson, Yale University